Vice Versa Large Tray

Sale price $ 3,600 Regular price $ 4,500
20% off
Details
  • Glazed ceramic interior
  • Natural ceramic exterior
  • Cork foot pads
Dimensions
Overall
16"l 10"w 1"h
41cm l 25cm w 3cm h
A dimensional drawing of the Vice Versa Large Tray
A dimensional drawing of the Vice Versa Large Tray
Cleaning + Care
  • The outer surface of the tray is a porous material.
  • Handling and cleaning the tray may leave natural oil marks and variation.
  • Clean with a soft sponge and water but do not submerge. Not dishwasher or microwave safe.

Pairs well with:

Vice Versa Small Tray Sale price $ 1,896 Regular price $ 2,370
Clad 2 Door Credenza Sale price $ 45,408 Regular price $ 56,760

Flip it and reverse it. Dress up your tabletop surfaces. Organic, octagonal forms feature a glazed ceramic interior and natural ceramic exterior to add earthiness to every setting. Available in two sizes, small and large.

An octagonal terracotta-colored wooden tray with a slatted top sits on a white marble-topped table. On the tray are a black sunglasses case, round sunglasses, and a set of keys. A modern table lamp is partially visible on the left against a clean white wall.
A black ribbed rectangular jewelry tray with rounded corners, styled on a wooden console table alongside gold jewelry, coins, a brown glass vase with pink tulips, and small perfume bottles.
A modern black rectangular tray holding green leaves and red berries, styled on a minimalist light beige table next to a matching lamp against a white background.
Rectangular orange tray with brown rim on a white background

Vice Versa Large Tray

Sale price $ 3,600 Regular price $ 4,500
20% off
Sale price $ 3,600 Regular price $ 4,500
20% off

Pairs well with:

Vice Versa Small Tray Sale price $ 1,896 Regular price $ 2,370
Clad 2 Door Credenza Sale price $ 45,408 Regular price $ 56,760

Design all
day long.

Design Process
A person in a blue work jacket is using orange and yellow clamps to hold a vertical wood panel in place against a curved metal frame in a workshop setting.
Good design takes time, patience and often, a heap of prototypes (and people) to get it right.
Black serif text on a white background reading: 'Collaborative design is the essence of who we are. We utilize each other's strengths.'
An open sketchbook with blue line drawings of chairs on graph paper, placed on a wooden work surface surrounded by design sketches and a cutting mat. A hand holding a blue pencil is visible at the bottom right.
Ideas continue to morph into unexpected designs that are better than any one person could create.
A modern lounge chair constructed from layered, curved cardboard panels in a natural tan color, mounted on a white and light wood four-star base, photographed against a clean white background.
A man in a dark work uniform leans over a metal frame, applying a clear adhesive patch with a white and blue applicator to a beige fabric surface on the frame. The setting appears to be a workshop or studio with tools and equipment in the background.
Before you see anything from us, we’ve already seen it a hundred times. We’ve sketched it, discussed it (endlessly) and built prototypes to test its scale, proportion, feel—every inch of it.
Design Process